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“条条-框框”王川个展

  • 展览海报
  • 《17年色身之十一号》 王川 90x120cm 2017年 布面丙烯
  • 《2018年盒子之四》 王川 140x120cm 2018年 布面丙烯
  • 《2018年盒子之一》 王川 80x100cm 2018年 布面丙烯
  • 《盒子之五》 王川 140x100cm 2016年 布面丙烯
  • 《色身2号》 王川 200x200cm 2015年 布面丙烯
  • 《宋庄2017年第1号》 王川 90x120cm 2017年 布面丙烯
  • 《宋庄2017年第十号》 王川 150x60cm 2017年 布面丙烯
  • 《宋庄之八》 王川 150x200cm 2016年 布面丙烯
  • 《宋庄之十八》 王川 100x120cm 2016年 布面丙烯
展览时间:
2018-04-25 - 2018-07-22
开幕时间:
2018-04-25 15:00-18:00
展览城市:
四川 - 成都
展览机构:
千高原艺术空间
展览地址:
成都市高新区天府一街699号铁像寺水街南区3-5号(临盛邦街)
参展人员:
王川

展览介绍

千高原艺术空间十分荣幸的呈现著名艺术家王川最新个展“条条-框框”。本次展览以王川近两年创作的“盒子”系列绘画为核心,辅以最早可追溯至1993年的相关作品。展览一方面呈现了艺术家最新的,以线条(“条条”)与形体(“框框”)为对象的非具象艺术创作;同时,也梳理了这一作品形态在王川创作中的早期脉络,及其随着艺术家的生命与心路历程而产生的渐变。

作为中国当代艺术肇始初期具象绘画不可或缺的一员,王川也是中国当代艺术领域最早开始非具象绘画探索的代表艺术家之一。他丰富的作品和巨大的转变,不仅来自天生的冒险精神,也与他战胜疾患的生命经历和个人感悟有关。“盒子”系列作品的灵感源自唐代壁画中的锦盒形象:在壁画巨大的叙事铺陈中,一切个人的,历史的,真实的,以及虚幻的情节和思考,最后都在锦盒那里中断或者凝结。王川作品中的“盒子”,则是他对自己真实的生命历程,以及对当下广阔的历史与社会进程的思考结晶。

“盒子”就像一个谜语,也像一种没有指向的象征物:它的指向是反向的,向内的,开启内心的。同时,“条条”与“框框”也是对绘画以及视觉语言的拆解和重构,这种构成关系与“盒子”本身的谜语是相辅相成,一体两面的。

A Thousand Plateaus Art Space is honored to present the famous artist Wang Chuan's latest solo exhibition - Unlimited. The paintings from The Box series that Wang Chuan has created within two years are the core of this solo exhibition, and it also dates back to his relevant works from 1993. The exhibition presents the artist's latest nonfigurative art creation with the objects of lines ("borders") and forms ("frames"), meanwhile, it also teases out this art form as the early clue in Wang Chuan's creations, as well as the gradually change that happened through the artist's life path and experiences.

As an integral person in the field of figurative painting in the initiation of Chinese contemporary art, Wang Chuan is also one of the representative artists who initially started the exploration of non-figurative painting in Chinese contemporary art field. His abundant creation and the enormous transformation are not only resulted from his inherent adventurous spirit, but also related to his personal life experience and feelings of overcoming the illness. The inspiration of The Box series was originated by the brocade box from the fresco paining in Tang dynasty: within the huge context of storytelling in the fresco paintings, every personal, historical, real, and illusory plots and considerations are eventually interrupted or condensed in the brocade box. The box in Wang Chuan's work is actually the crystallization of his life path and reflection of current broad history and social development.

The Box is like a riddle, and the undirected symbol: its signification is reversed, inward, and towards the heart. In addition, the lines and forms are also the dismantling and reconstruction of the painting and the visual language, this structured relationship is complement with the riddle of the box itself and it shows the two sides of an organic whole.

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(责任编辑:张鑫)

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