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“浑沌中的宁静 SERENE CHAOS”高霓纱的个展

  • 展览海报
  • 《Wu Ti》 高霓纱 55.5x98cm 中国水墨及水彩
  • 《Wu Ti 17° 15'42.0''N 96° 04'02.8 ''E》 高霓纱 57x116cm 中国水墨及水彩
  • 《Wu Ti 17° 16'29.9''N 96° 05'06.2 ''E》 高霓纱 87x69cm 中国水墨及水彩
  • 《Wu Ti 22° 17'01.9''N 114° 09'04.5 ''E》 高霓纱 72x140cm 中国水墨及水彩
  • 《Wu Ti 22° 36'44.1''N 114° 08'13.8 ''E》 高霓纱 61x113cm 中国水墨及水彩
  • 《Wu Ti 22° 36'47.3''N 114° 08'16.2 ''E》 高霓纱 118x62.5cm 中国水墨及水彩
  • 《Wu Ti 23° 08'31.2''N 113° 18'20.7 ''E》 高霓纱 102x178cm 中国水墨及水彩
  • 《Wu Ti 32° 54'18.1''S 151° 41'57.6 ''E》 高霓纱 60.5x64.5cm 中国水墨及水彩
  • 《Wu Ti 41° 4914.4''N 71° 2533.5 ''W》 高霓纱 114x81cm 中国水墨及水彩
  • 《Wu Ti 44° 08'11.6''N 73° 04'50.6 ''W》 高霓纱 60.5x64.5cm 中国水墨及水彩
展览时间:
2018-03-02 - 2018-04-15
开幕时间:
2018-03-02 18:30
展览城市:
上海 - 辖
展览机构:
黑白之中画廊
展览地址:
上海长宁区兴国路370号(J-Flower院内)
策 展 人:
谭月华
参展人员:
高霓纱

展览介绍

高霓纱:浑沌中的宁静

对于来自美国的罗德岛设计学院的美术学士同时还是佛蒙特大学的教育学硕士艺术家高霓纱,矛盾可以说是一种灵感。来自美国的她选择以中国水墨及水彩创作,以鸟儿与翅膀为题材,飘动的羽毛、空中的波动、分裂或重塑中的元素,这种瞬间的浑沌在她的作品中成为令人神怡心静的景象。脆弱难捉的时刻就这样得到延长,令人想到生命中的无常也同时蔑视它的限制。

在佛蒙特州郊区长大的高霓纱从小就对鸟儿着迷,鸟儿象征着一种人类无法完全模仿的无拘无束。这种对大自然的敬佩也许是她代入中国水墨及水彩的原因之一,到佛山跟水墨大师学习,研究中国水墨的技巧、线条、意境。高霓纱更创出风格上的演变,在中国水墨的极简中增添西式的现实派元素,把身边观察到的小动物细腻地描绘下来。极简与现实派的碰撞给到意想不到的效果,也令高霓纱的作品更难去简单地归类。

第一眼观赏高霓纱的作品可能被它的古典感所吸引,然而,作品也有强烈的时代感。现今的都市生活远离大自然,沉迷于自我,在这个环境高霓纱的作品可以被看为一个贴切的提醒,揭示人类之外的生命力并提出一种与大自然更相通的生活方式,去欣赏每个瞬间里的无常。

高霓纱多次在美国及亚洲展示作品,近年参加过的个人及群体展包括澳门、香港、纽约、新加波、上海、深圳、德国汉堡、台湾、南韩、广州。她的作品被画廊与艺术博物馆广为收藏。

Nissa Kauppila: Serene Chaos

The American artist Nissa Kauppila graduated with a BFA from the Rhode Island School of Design and a master's degree in education from the University of Vermont. Her works are full of oftantalising contradictions, with birds and wings as her frequent subjects and Chinese ink and watercolour as her medium of choice, Kauppila captures fleeting moments of‘chaos' - a flutter of feathers, a flash of motion in the air, elements exploding or forming together - with a surprising serenity. The fragile beauty of these split seconds is in this way frozen in time, calling to mind the transient nature of life and defying it at the same time.

Kauppila's fascination with birds began with her childhood in rural Vermont. They represented to her a kind of freedom that humans could only emulate and watch from afar. This awe for the natural world led her in part to gravitate towards classical Chinese ink painting, incorporating its line and form as well as mastering it as a medium, having studied with masters in Foshan. She combines Chinese ink traditions of minimalism and suggestion with a realist style from the western tradition, taking her subjects from real creatures in her environment and painting them with great attention to life-like accuracy. The effect is startling, the unexpected detail and saturation of colour drawing the eye in and challenging the viewer to define Kauppila's work in any simple category.

As classical as Kauppila's work may seem at first glance,it can be said to have particular relevance given today's urbanised life styles and habits of self-absorption. It is a reminder of creatures and life forces beyond ourselves, perhaps offering an alternative way of being, one that is attuned to nature and its immeasurable transformations in every moment.

Kauppila has exhibited extensively in US and Asia, with solo and group shows in Macau, HongKong, New York, Singapore, Shanghai, Shenzhen,Hamburg, Taiwan, South Korea, and Guangzhou in the last few years. Her works has been collected by galleries and art museums.

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