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“隐影”石冲作品展

  • 展览海报
  • 《彼岸 The Other Shore》 石冲 45x60cm 2018年 铜版画
  • 《表情 Expression》 石冲 42x35cm 2015年 布面油画
  • 《表情之四 Expression IV》 石冲 120x90cm 2016年 布面油画
  • 《不和谐的册页 Disharmonious Album》 石冲 100x300cm 2017年 布面油画
  • 《不自然的呼吸 Unnatural Breath》 石冲 35x50cm 2015年 布面油画
  • 《潺缠 Ripple and Wrap》 石冲 70x50cm 2018年 纸本水彩
  • 《此岸 This Shore 石冲 45x60cm 2018年 铜版画
  • 《顶光 Top Light》 石冲 165x106cm 2018年 布面油画
  • 《公元2019年 A.D. 2019》 石冲 109x45cm 2018年 布面油画
  • 《交错的肖像 Study of Interlacement》 石冲 60x45cm 2018年 铜版画
  • 《晏语 Chitchat 石冲 53x75cm 2018年 纸本水彩
  • 《隐影 Hidden Figure》 石冲 150x80cm 2018年 布面油画
  • 《隐语之一 Whisper I》 石冲 95x122cm 2015年 布面油画
  • 《隐语之二 Whisper II》 石冲 72x80cm 2015年 布面油画
  • 《隐语之三 Whisper III》 石冲 102x112cm 2017年 布面油画
展览时间:
2018-11-03 - 2019-01-27
开幕时间:
2018-11-03 15:00
展览城市:
北京 - 北京
展览机构:
前波画廊
展览地址:
北京市朝阳区草场地红一号D座
参展人员:
石冲

展览介绍

前波画廊北京诚挚地宣布将于2018年11月3日起举办石冲的最新个展《隐影》。石冲1963年出生于湖北黄石,1987年毕业于湖北美术学院油画专业并任教于该院。2001年至今任教于清华大学美术学院绘画系。

在上世纪90年代初,石冲就以其独特的创作方式而闻名。他综合了多重复合的艺术形式,将创作时的观念和行为与精湛的绘画技法相结合,为架上绘画和当代艺术提供了一个相互链接的契机。作为石冲绘画实践的长期观察者,巫鸿自1997年就开始和石冲有过接触,并陆续将他纳入到之后几年的展览项目中。巫鸿也欣然为本次展览撰文,文中他通过由他参与或组织的几场展览与项目作为线索,对石冲的创作历程和风格演变进行了细致梳理,也与石冲就近期的创作进行了深入的探讨。

此次展览将展出石冲2015年至今的十五幅作品,其中包括十幅布面油画,两幅纸本水彩和三幅铜版画作品。近年来,石冲持续创作和不断探索,从多幅图像并置的《不自然的呼吸》到单幅的《公元2019年》,从用笔细腻的《隐语之二》到静怡的《表情之四》,无不透露着各种变化,也可以看到石冲在画面中运用点、揉、皴、擦、写的方式更加自由。在制作了近五个月的大幅《不和谐的册页》中,各自的形象看似静止独立,却在整体聚合的视觉观看中,动态般地关联了起来。《隐影》与早期作品《某年某月某日的肖像》形成对话,与后者画面中因透明亚克力所造成的强迫性挤压所带来的紧张感不同,《隐影》悬置于雾气空间里手指划过的痕迹,使得画面更加抽象而充满意味……展览呈现的十五幅画面,具象与抽象叠合交错,在潜藏着的或是尚未明示的场景里释放出对活动图像的未知想象。介怀其中,艺术家在对身体和物质的形态赋予的同时,开放地任由观者在想象中寻找各自的去处。

前波画廊与石冲的合作最早可以溯源到2004年。由巫鸿策划的群展《交叉:中国当代摄影及油画》在前波的纽约空间展出,展览探讨了传统的油画和摄影媒介之间的关系,石冲作为其中的参展艺术家,以其精湛的技法和个性的图像赢得了广泛的关注。相隔多年,通过《隐影》展览,石冲向我们展示了既熟悉又别样的视觉蜃景。

Chambers Fine Art is pleased to announce the opening on November 3 of Shi Chong: Hidden Figures. Shi Chong was born in Hubei, China in 1963. He graduated from the Oil Painting Department of Hubei Academy of Fine Arts in 1987 and stayed on to teach. He has taught at the Art Institute of Tsinghua University since 2001.

In the early 1990s, Shi was already well-known for his unique method of painting. He synthesized multiple art forms and combined a conceptual approach as well as performance with his exquisite painting technique, which offered a juncture of classical painting and contemporary art. As a continuous observer of Shi's painting practice, Wu Hung has interacted with Shi Chong since 1997 and included the latter in several important exhibitions he organized. Wu has kindly agreed to contribute an essay to the current exhibition. He traces the development of his own interest in Shi's idiosyncratic style through several important group exhibitions and offers insightful comments on his current work.

The exhibition concentrates on fifteen works produced in 2015-2018, including ten oil paintings, two watercolors and three prints. Shi has continuously developed his language of painting over many years: his recent works, whether groups of paintings such as Disharmonious Album, single paintings such as A.D. 2019, muted paintings such as Whisper II or effervescent paintings such as Expression IV, are marked by a greater freedom of style, including stippling, stroking and rubbing of the pigments. It took the artist five months to finish Disharmonious Album, in which a variety of different poses, materials and bodies are placed together side by side giving viewers a sense of wholeness. Another exhibited work Hidden Figure is in striking contrast with his earlier painting Portrait on an Undetermined Date. In the latter, a sheet of colorless acrylic was pressed on to the nude, forming an extruding plane at the contact surface which conveys to viewers the throbbing body beneath it. In contrast in Hidden Figure, the lines drawn by Shi's fingers in the mist on a sheet of glass look as if they are suspended in space, making the picture more abstract and intriguing. Abstract elements and realistic forms are intertwined in the fifteen works included in the exhibition, unleashing viewers' imaginative response to the dynamic images partially hidden within the frames. Bodies in different states and many different kinds of materials drifting in space are all under the control of the artist, leaving viewers free to use their imagination to see and interpret.

The gallery cooperated with Shi Chong for the first time in 2004 when Wu Hung included him in a group exhibition he curated at Chambers Fine Art in New York, Intersection: Contemporary Oil Painting & Photography, which explored the relationship between the traditional medium of oil painting and photography. As a participating artist, Shi attracted extensive attention in terms of his exquisite techniques and personal style. Years later, he has gone further and further in the path of "painterliness" and his style continues to evolve.

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(责任编辑:张鑫)

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Lindaliiii2018-11-12 11:40:03
作品和名字很搭诶
傲娇猫2018-10-26 15:22:19
何以不和谐~和谐社会出处和谐🐶🐶
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责任编辑:杨晓萌010-80486788-896exhibit@artron.net

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