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“海在低处”摄影展

  • 展览海报
  • 《背渔网上岸的渔民》 李好
  • 《等待拉网的渔民》 李好
  • 《海边的狗和渔民》 李好
  • 《海边的小渔船》 李好
  • 《海边的云》 李好
  • 《看到渔贩偷鱼的渔民》 李好
  • 《看海的年轻人》 李好
  • 《拉网的渔民》 李好
  • 《拉小网的妇女》 李好
  • 《拉小网的渔民》 李好
  • 《捞鱼的姑娘》 李好
  • 《箩筐里的大鱼》 李好
  • 《破旧的铁壳船和推土机》 李好
  • 《上岸的渔民》 李好
  • 《手捏小鱼的渔民》 李好
  • 《相互扶持的两个渔民》 李好
  • 《准备扛渔具回家的渔民》 李好
  • 《坐在海边稍作休息的渔民》 李好
展览时间:
2018-05-13 - 2018-05-27
开幕时间:
2018-05-13 15:00
展览城市:
北京 - 北京
展览机构:
映艺术中心/映画廊
展览地址:
北京市朝阳区酒仙桥路4号“798艺术区”七星中街
策 展 人:
那日松
参展人员:
李好

展览介绍

海与岸的连接点,正是我的先人祖祖辈辈赖以生存的地方。

在童年记忆里,这片海,物产资源丰饶,岸边的渔村古朴,人文风貌独特,是粤西一带水上游民与陆地土著共居共存之地。数百年来,这里的人们以“耕海”为生,大海,便成了他们赖以生存的“粮仓”。

上世纪七八十年代以前,生活在这片海岸上的渔民,以传统生产方式捕捞海产维持生计,日子过得殷实,从来不担心“耕海”劳而无获。

近二三十年间,随着现代文明进程的加速,人们开始恣意妄为、过度捕捞,加上工业污染,海洋的健康状况开始急剧恶化;鱼群急剧减少,很多鱼类濒临灭绝,祖祖辈辈赖以生存的大海变得贫瘠。渔民为了走出困境,开始用推土机代替人工拉网,用更大的铁壳船淘汰小木船,渔网不断地加长,网眼不断地变小。可是,对捕捞工具的改造并没有为渔民带来长久的富裕,更多的是无助、焦躁和失望。

《海在低处》摄影专题,取材于粤西电白沿海的某段海岸线,以及当地渔民生产和生活场景。近七年来,我尽可能让我的镜头贴近低处的海和在海上劳作的渔民,贴近他们的内心,也尽可能以见证者的视角记录下这个锐变过程。

是的,我眼中的海幽暗悲伤,涛声喑哑。在穹顶之下,它依旧无边无涯,匍匐于低处,亘古未变地抚慰着大地……

The Sea at a Low Point

Li Hao

The point where the sea meets the shore is the place where my ancestors lived for generations.

As I remember it from my childhood, the sea creatures were abundant, the seaside villages were simple, and the culture and customs were unique. It was a place where the boat people and land-dwellers of western Guangdong coexisted. For several hundred years, people earned a living "tilling the sea," and the sea was the "granary" on which they relied.

Prior to the 1970s or 1980s, the fishermen who lived on this piece of shoreline earned their living catching seafood. Those were prosperous days, and they never worried that "tilling the sea" would be fruitless.

In the last twenty or thirty years, with the acceleration of modernization, people began to do whatever they wanted. Overfishing combined with industrial pollution began to destroy the health of our oceans. Fish populations dropped dramatically, and many fish varieties are faced with extinction. The seas on which people had depended for generations were becoming barren. In order to get out of this predicament, the fishermen began to use mechanical instead of manual means to pull up the nets and they replaced their smaller wooden boats with larger steel-hulled ones. Their nets have become longer and the mesh in the nets has become finer. However, the changes in fishing implements did not bring the fishermen sustained prosperity. They became increasingly helpless, impatient, and despairing.

The series "The Sea at a Low Point" focuses on a piece of the Dianbai shoreline in western Guangdong and scenes of life and work for local fishermen. In the last seven years, I have used my camera to approach the depths of the sea and the fishermen working on its surface; I want to get into their minds, attempting to record this process of transformation as a witness as best as possible.

Yes, in my eyes, the ocean is gloomy and sad, accompanied by the dull roar of the waves. Under heaven, the sea is still boundless, and its depths have comforted the earth since time immemorial…

李好

展开阅读

(责任编辑:陈思竹)

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