艺术头条 
雅昌拍卖图录 
“消释之光”郎立兴摄影艺术展
8.0
展览时间：
2019-06-02 - 2019-07-02
开幕时间：
2019-06-01 10:00
展览城市：
呼和浩特
展览机构：
艺泰空间
展览地址：
内蒙古呼和浩特市乌兰察布西街兴泰御都底商
消释之光
——郎立兴摄影艺术展
策展人：段煜婷
郎立兴先生的摄影之路，已经走过了半个世纪的历程，而其中有三十多年是在从事冰雪摄影。在与冰雪长期的耳鬓厮磨中郎立兴先生升腾了对于冰雪的情感和认知，破译了冰雪的情怀和语言，他的冰雪摄影作品有着让人意会而无法言传的意蕴。
郎立兴先生接触冰雪，最初是在他生活的呼伦贝尔，这里是世界上最美丽雪景的诞生地之一。他被海拉尔河春天来临时雪消冰释时所幻化出的奇异美景所吸引所震撼，想到这些美景是来自大自然的魔术奇观，消释后不会重来，即使在来年的春天里仍有冰消雪释的景观，但绝不会再有相同的美景。此时的摄影师意识到，摄影原本就是截取时间、固定瞬间的艺术，如果将正在时间里悄然逝去的冰雪美景拍摄下来，那就可以把它们的美丽姿态永远地凝固下来，存于天地之间了。怀着一腔对于冰雪的本能喜爱和对于摄影的执着，郎立兴先生从此一拍就到现在。他的艺术实践，对于中国的冰雪摄影，乃至整个平面艺术而言都是极具革命性的。郎立兴对冰的微观特写摒弃了冰的外部形态，聚焦于冰的内部的视觉元素，在光影的烘托下，居然使得原本写实的照片呈现出抽象的美感，似乎在真实事物的内部找到了另一个维度的审美空间。这对于以往作为“风景”来表述的冰雪沙龙摄影和冰雪绘画而言，完全开启了一个全新的视角。从此，不仅仅是冰，郎立兴对雪的观看，也不再只是辽阔的场景，雪与植被，雪与岩石，雪与山川河流的关系往往也成为他特写镜头下的寻常内容。摄影对冰雪的质感的逼真表现，让郎立兴将冰雪从宏观的“风景”，不断推近观察，从而呈现了作为“静物”冰雪的内涵，从形式到内容而言，都是对以往冰雪艺术的极大丰富和提升。
在爬冰卧雪和踏遍雪原山林的与冰雪的亲密接触中和艰辛跋涉中，他对于冰雪有自己的独特发现和关乎哲理和生命的深层理解。在他的镜头下，那些冰雪具有了的生命力和艺术感染力，即像琥珀一样凝聚成一个小小的时间胶囊，潜藏着丰富的自然信息和生命信息，展现了大自然的鬼斧神工和神奇造化，在向人类传达和昭示着深刻的寓意。
郎立兴的冰雪摄影并不只是为了艺术而艺术，正因为年复一年的冰雪摄影的实践，让他注意到冰雪背后的环境和气候的问题，这也是当下全人类共同关注的热点话题。近二十年来，他为了关注环境气候变化对冰雪积累和消融的记录，除了在国内的东北、西北地区，还去了十多个国家进行观察拍摄。在郎立兴看来，冰雪不只是大自然为人类的艺术活动提供创作灵感，从根本上讲更是这个星球的生命源泉，它在积累与消释的变化中孕育万物使之繁衍生息，它的消长直接关乎人类的生存。
Dissipating Light:
Mr. Lang Lixing's Photo Exhibition
Curator: Duan Yuting
Lang Lixing has been engaged in the practice of photography for half a century, with a vigorous focus on ice and snow photography for over thirty years. Through his long encounter with snow and ice, Lang Lixing has managed to decipher the secret language of snow and gradually elevated his understanding of the subject matter. This is perhaps the reason behind the unspeakable charm in his works of ice and snow that his audience has come to appreciate.
Lang Lixing's initial encounter with snow was in the region of Hulunbuir where he grew up. This is the place where some of the most beautiful snow-covered landscapes in the world can be found. Originally being drawn to the melting frozen surface of Hailar River in the spring, it occurred to the photographer that the stunning views in front of him were only temporary designs by nature and could not be recreated even when the spring season would come again the next year. As photography is the art of capturing time, he quickly realized that the beautiful appearances of snow could indeed be "permanently frozen" thanks to his camera's properties. Out of an innate affinity to snow and a persistent love for photography, Lang Lixing has carried on his practice until this day. What the photographer has achieved over the course of his career is revolutionary not only within the field of ice and snow photography, but for the realm of visual arts in general. Lang Lixing's microscopic depiction of ice has removed his subjects from their external forms, emphasizing on visual elements found underneath the surface. With the light and shadow contrasts, what were meant to be realistic depictions have revealed an abstract beauty that opens up a whole new dimension of aesthetic understanding. This is a new perspective that is strikingly different from the salon photography aesthetics and the winter landscapes previously expressed in ice and snow paintings. Under Lang Lixing's interpretation, snow is not merely a landscape element, under his lens, the photographer explores the relationship between snow and its surrounding environment : vegetation, rocks, mountains and rivers. Photography is able to expose the texture of ice and the photographer takes advantage of this ability to present his subjects in still-life fashion. The camera gives great liberties, both in form and substance, to develop ice and snow photography.
In his personal experience among snow mountains and forests, Lang Lixing has felt great joy but has also met obstacles and suffered hardships. Through his long journey, he has also gained a deeper understanding of the philosophy of life. Under his lens, his subjects reveal a unique artistic quality, they condense into small time capsules akin to amber resin pods filled with precious information inviting to scientific examination or a contemplation of nature's power. This is the way through which the natural world communicates its profound messages to human beings.
To understand Lang Lixing's work surrounding ice and snow, it is important not to confine it to its aesthetic dimension. After years of engaging in the practice of ice and snow photography, Lang Lixing began to notice the critical environmental issue of climate change which is now a major international debate. In the past twenty years, in order to document the impact of global warming on snow and glaciers, Lang Lixing has carried out his investigations in several other countries in addition to the northwestern and northeastern regions of China. In Lang Lixing's view, ice and snow not only serve artistic inspirations, but it is above all the source of all life and its formation and thaw is instrumental to our planet and to the survival of mankind.
——郎立兴摄影艺术展
策展人：段煜婷
郎立兴先生的摄影之路，已经走过了半个世纪的历程，而其中有三十多年是在从事冰雪摄影。在与冰雪长期的耳鬓厮磨中郎立兴先生升腾了对于冰雪的情感和认知，破译了冰雪的情怀和语言，他的冰雪摄影作品有着让人意会而无法言传的意蕴。
郎立兴先生接触冰雪，最初是在他生活的呼伦贝尔，这里是世界上最美丽雪景的诞生地之一。他被海拉尔河春天来临时雪消冰释时所幻化出的奇异美景所吸引所震撼，想到这些美景是来自大自然的魔术奇观，消释后不会重来，即使在来年的春天里仍有冰消雪释的景观，但绝不会再有相同的美景。此时的摄影师意识到，摄影原本就是截取时间、固定瞬间的艺术，如果将正在时间里悄然逝去的冰雪美景拍摄下来，那就可以把它们的美丽姿态永远地凝固下来，存于天地之间了。怀着一腔对于冰雪的本能喜爱和对于摄影的执着，郎立兴先生从此一拍就到现在。他的艺术实践，对于中国的冰雪摄影，乃至整个平面艺术而言都是极具革命性的。郎立兴对冰的微观特写摒弃了冰的外部形态，聚焦于冰的内部的视觉元素，在光影的烘托下，居然使得原本写实的照片呈现出抽象的美感，似乎在真实事物的内部找到了另一个维度的审美空间。这对于以往作为“风景”来表述的冰雪沙龙摄影和冰雪绘画而言，完全开启了一个全新的视角。从此，不仅仅是冰，郎立兴对雪的观看，也不再只是辽阔的场景，雪与植被，雪与岩石，雪与山川河流的关系往往也成为他特写镜头下的寻常内容。摄影对冰雪的质感的逼真表现，让郎立兴将冰雪从宏观的“风景”，不断推近观察，从而呈现了作为“静物”冰雪的内涵，从形式到内容而言，都是对以往冰雪艺术的极大丰富和提升。
在爬冰卧雪和踏遍雪原山林的与冰雪的亲密接触中和艰辛跋涉中，他对于冰雪有自己的独特发现和关乎哲理和生命的深层理解。在他的镜头下，那些冰雪具有了的生命力和艺术感染力，即像琥珀一样凝聚成一个小小的时间胶囊，潜藏着丰富的自然信息和生命信息，展现了大自然的鬼斧神工和神奇造化，在向人类传达和昭示着深刻的寓意。
郎立兴的冰雪摄影并不只是为了艺术而艺术，正因为年复一年的冰雪摄影的实践，让他注意到冰雪背后的环境和气候的问题，这也是当下全人类共同关注的热点话题。近二十年来，他为了关注环境气候变化对冰雪积累和消融的记录，除了在国内的东北、西北地区，还去了十多个国家进行观察拍摄。在郎立兴看来，冰雪不只是大自然为人类的艺术活动提供创作灵感，从根本上讲更是这个星球的生命源泉，它在积累与消释的变化中孕育万物使之繁衍生息，它的消长直接关乎人类的生存。
Dissipating Light:
Mr. Lang Lixing's Photo Exhibition
Curator: Duan Yuting
Lang Lixing has been engaged in the practice of photography for half a century, with a vigorous focus on ice and snow photography for over thirty years. Through his long encounter with snow and ice, Lang Lixing has managed to decipher the secret language of snow and gradually elevated his understanding of the subject matter. This is perhaps the reason behind the unspeakable charm in his works of ice and snow that his audience has come to appreciate.
Lang Lixing's initial encounter with snow was in the region of Hulunbuir where he grew up. This is the place where some of the most beautiful snow-covered landscapes in the world can be found. Originally being drawn to the melting frozen surface of Hailar River in the spring, it occurred to the photographer that the stunning views in front of him were only temporary designs by nature and could not be recreated even when the spring season would come again the next year. As photography is the art of capturing time, he quickly realized that the beautiful appearances of snow could indeed be "permanently frozen" thanks to his camera's properties. Out of an innate affinity to snow and a persistent love for photography, Lang Lixing has carried on his practice until this day. What the photographer has achieved over the course of his career is revolutionary not only within the field of ice and snow photography, but for the realm of visual arts in general. Lang Lixing's microscopic depiction of ice has removed his subjects from their external forms, emphasizing on visual elements found underneath the surface. With the light and shadow contrasts, what were meant to be realistic depictions have revealed an abstract beauty that opens up a whole new dimension of aesthetic understanding. This is a new perspective that is strikingly different from the salon photography aesthetics and the winter landscapes previously expressed in ice and snow paintings. Under Lang Lixing's interpretation, snow is not merely a landscape element, under his lens, the photographer explores the relationship between snow and its surrounding environment : vegetation, rocks, mountains and rivers. Photography is able to expose the texture of ice and the photographer takes advantage of this ability to present his subjects in still-life fashion. The camera gives great liberties, both in form and substance, to develop ice and snow photography.
In his personal experience among snow mountains and forests, Lang Lixing has felt great joy but has also met obstacles and suffered hardships. Through his long journey, he has also gained a deeper understanding of the philosophy of life. Under his lens, his subjects reveal a unique artistic quality, they condense into small time capsules akin to amber resin pods filled with precious information inviting to scientific examination or a contemplation of nature's power. This is the way through which the natural world communicates its profound messages to human beings.
To understand Lang Lixing's work surrounding ice and snow, it is important not to confine it to its aesthetic dimension. After years of engaging in the practice of ice and snow photography, Lang Lixing began to notice the critical environmental issue of climate change which is now a major international debate. In the past twenty years, in order to document the impact of global warming on snow and glaciers, Lang Lixing has carried out his investigations in several other countries in addition to the northwestern and northeastern regions of China. In Lang Lixing's view, ice and snow not only serve artistic inspirations, but it is above all the source of all life and its formation and thaw is instrumental to our planet and to the survival of mankind.
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