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“无物”宰鹏飞(崽)个展

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展览时间:
2019-12-21 - 2020-02-25
开幕时间:
2019-12-21 19:00
展览城市:
云南 - 昆明
展览机构:
TCG诺地卡文化中心
展览地址:
昆明市西山区润城第二大道商1栋3楼
策 展 人:
周凤仪
参展人员:
宰鹏飞(崽)

展览介绍

“宰鹏飞的谎言”

我认识宰鹏飞的时间不长,见面之前,我只知道在2018年,他通过TCG诺地卡艺术家交流项目,去挪威奥斯陆大学艺术专业研修了一年。第一次去他工作室,他给我看了大学至今很多的作品,每个阶段的作品有着不同的面貌。每次问起他创作这些作品的初衷是什么的时候,他总是浅浅一笑,回复我:“我也不知道”、“安慰自己”、或“有时无聊”…看似都是一些漫不经心的回复。

在聊天的过程中,我发现宰鹏飞心里装着很多想法。他很敏感,思维很活跃,一点即燃。然而却不善于表达,也没有找到合适的路径可以输出。也许这些东西,沉积在心里太久了,无处释放。使得每个有趣的灵感,在他脑海里游离,像一艘没有帆的船,而可以肯定的是他的心,从未停止过寻找方向。所以,在挪威生活学习的一年里,这种反叛空虚而又不可奈何的心理状态令他更加的焦虑和不安。

挪威求学期间,生活习俗的落差和每个昼短夜长的黑夜里,加剧着他思念故土的情绪,独孤悠然而生。对“我是谁”的追问,对成长的惶恐,对生活的困惑,对理想的追求,对爱情的憧憬…一切都在催化着他对自我身份认证的渴望,而这些情感终将被时间吞噬,唯一留下来的只有画布上那一根根线条,一个个方块,以及那些曾经的记忆碎片。

他把对生活的困惑和对成长的惶恐交给了时间,焦虑和不安变成了他创作作品的动机,用“谎言”倾诉着朦胧地情感。“谎言”,成为他自我安慰的一剂良药,慰藉着他内心的焦躁。他试图搭建一座桥梁,目的不是为了过河,而是享受搭建的过程。他要使自己疲惫,他要亲手雕琢每一块基石,感受每一块基石的重量。以牺牲时间为代价,他迫切的想要打发时间,因为时间是“谎言”最大的敌人。

我把“谎言”视为他作品的灵魂,时间就是他和他作品需要讨伐的对象,谁让我们生活在一个真实而又充满矛盾的世界当中呢。也正因如此,这样的作品才产生了意义和价值。意义体现在有限的生命得到了填充,价值在于它反应的不是个别现象,而是当代社会中,青年群体所面临的普遍问题。“宰鹏飞的谎言”在大多数青年群体的生活情景中,扮演者主要的角色,面对生存和理想,面对有限的生命和时间,紧迫感已然成为一个生命的常态。

“宰鹏飞的谎言”,是真实的谎言,也是善意的谎言,是他自我释放的通道。就像止痛药一样,它只是暂时的麻痹了神经,但明知它不可以祛除病患,然而很多时候人们的确依赖着它。

周凤仪

2019.12.14

Preface

Zai's Lies

I haven't known Zai Pengfei for a long time. Before I met him, I heard that he went to study in Oslo University in Norway through TCG Nordica Artists Exchange Program. When I visited his studio for the first time, he showed me many of his art works he has created since university. His works in dif-ferent stages carry different looks. Whenever I asked him about his original intention to create these works, he always smiled and responded to me, "I don't know", "it was for self-comfort", or "I was just bored".

During our conversation, I found that Zai was full of ideas. He is very sensitive, and his mind is so active that new creativity can be ignited any time. However, he is not good at expressing himself. Per-haps when these things have been kept in his mind for a long time, it became hard to find a place to release them all. In this sense, many inspirations are floating in his mind like a boat without the topsail. But certainly, his heart has never stopped looking for directions. Therefore, during his time in Norway, his rebellious and helpless mental state made him more anxious and uneasy.

During his time in Norway, because of cultural and climate differences, it intensified his nostalgic sen-timents and loneliness. His questioning of "Who Am I", the fear of growth, the confusion with life, and the longing for love all stimulated his desire for self-identification. These emotions will be gone as time goes by. The only thing can be perpetuated would probably the lines and squares on the canvas together with some fragmented memories.

He handed his confusion and fear to time. Anxiety and uneasiness became the motivation for his crea-tion. He expressed his vague emotions through "lies", which became a remedy that helps ease his anx-iety. He tries to build a bridge. However, the purpose is not to cross the river but just to enjoy the pro-cess. He wants to make himself tired. He wants to carve every cornerstone and feel the weight of it by himself. He also wants to kill time at the expanse of time because time is the biggest enemy of "time".

I see "lies" as the inspiration of his works and time as the object to be crusaded, because we live in such real and complex world. It is for this reason that such works become significant and valuable. The issues behind those works are not just individual concerns, but reflect the shared struggles in this contemporary society, especially among young folks. Zai's Lies play the main role in the life situation of most youth groups. In between the tension of survival and dreams, infinite life and time, a sense of urgency has become a normal state of life.

"Zai's Lies" is a true lie and also a white lie, which is a channel for his self-release. Like a painkiller, we know that it can only paralyze the nerves temporarily, but it won't bring ultimate healing. Despite this fact, people still choose to rely on it most of the time.

Zhou Fengyi

2019.12.14

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(责任编辑:张鑫)

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