艺术头条 
雅昌拍卖图录 
“重启·无界”章燕紫、王霄、于瑜三人作品展
8.0
展览时间：
2022-08-13 - 2022-10-13
展览城市：
合肥
展览机构：
沫·美术馆
展览地址：
安徽省合肥市蜀山区潜山路1999号中侨中心A座12层
此次展览以“重启·无界”为题，基于一个承载着无数人共有记忆的时间点展开朴素的追问，排空对于创作的一切预设和期待，回到最基本的生命状态，感知人类精神世界的精微与博大。
The exhibition is titled "Restart · Unlimited". Based on a time point that carries the shared memories of countless people, this exhibition starts a simple inquiry, empties all presuppositions and expectations for creation, and returns to the most basic state of life. It will make viewers perceive the subtlety and breadth of the human spiritual world.
展览呈出三个相对独立的篇章，由章燕紫、王霄、于瑜三位当代艺术家的近年力作组成，语言形式丰富多样，涉及水墨、装置、版画、综合材料等多种媒介，非凡的思维角度和语言方式映现出她们之于传统基因、当代语境、内在自我的深刻省思。只是恰巧，她们同为“女性”。
This exhibition presents three relatively independent chapters, composed of recent masterpieces by three contemporary artists, Zhang Yanzi, Wang Xiao, and Yu Yu. Their artistic language forms are rich and diverse, involving various media such as ink painting, installation, printmaking, mixed media, etc. Their extraordinary ways of thinking reflect their profound reflections of traditional culture, contemporary contexts, and inner self. It just so happens that they are all "women".
展览中，艺术家章燕紫在止痛贴上描绘佛影，将医学隐喻提升到精神救赎的层面，在神谕的召唤下，在以“艺”为“医”的精神疗愈路径中达成心灵与世界的某种平衡。
In this exhibition, Zhang Yanzi directly depicts the Buddha's shadow on plasters, elevating medical metaphors to the level of religious salvation. Under the call of the oracle, by using "art" as "medicine", a balance between the mind and the world is achieved in a spiritual way.
王霄则通过构建模糊化时空、朦胧欲望生发的隐喻式场景，在错置的时空中强化新的视觉表现，以印痕引申出物性的思考，凸显个体在复杂关系中的彷徨与思辨。
Wang Xiao builds metaphorical scenes of blurred time and space and hazy desires, intensifying new visual representations in the misplaced time and space, extending the thinking of physical properties with imprints, and highlighting the hesitation and speculation of individuals in complex relationships.
于瑜则用绢布上抽下的丝线在绢上绣出了蚕蛾的形象，以此纪悼消逝于制丝工艺中的“蛾”。随即，又在绣好蛾子的绢布上绘制出各色的丝织品纹理，将显像的蛾子再次覆盖。颇具隐喻的创作行为为观者留下了无限的思考空间。
Yu Yu used the silk thread to embroider the image of a silkworm moth on the silk, in order to mourn the "moth" lost in the silk making process.Then, the moths were covered again with colorful silk textures painted on the silk cloth where they had been embroidered. The metaphorical creative act leaves infinite space for the viewer to think.
毋庸置疑，这三位优秀的艺术家正处在艺术能量的集中爆发期，作为重要的当代艺术个案，值得被持续记写、研究。
Undoubtedly, these three outstanding artists are in a period of a concentrated explosion of artistic energy. As important contemporary art cases, they deserve to be continuously recorded and studied.
The exhibition is titled "Restart · Unlimited". Based on a time point that carries the shared memories of countless people, this exhibition starts a simple inquiry, empties all presuppositions and expectations for creation, and returns to the most basic state of life. It will make viewers perceive the subtlety and breadth of the human spiritual world.
展览呈出三个相对独立的篇章，由章燕紫、王霄、于瑜三位当代艺术家的近年力作组成，语言形式丰富多样，涉及水墨、装置、版画、综合材料等多种媒介，非凡的思维角度和语言方式映现出她们之于传统基因、当代语境、内在自我的深刻省思。只是恰巧，她们同为“女性”。
This exhibition presents three relatively independent chapters, composed of recent masterpieces by three contemporary artists, Zhang Yanzi, Wang Xiao, and Yu Yu. Their artistic language forms are rich and diverse, involving various media such as ink painting, installation, printmaking, mixed media, etc. Their extraordinary ways of thinking reflect their profound reflections of traditional culture, contemporary contexts, and inner self. It just so happens that they are all "women".
展览中，艺术家章燕紫在止痛贴上描绘佛影，将医学隐喻提升到精神救赎的层面，在神谕的召唤下，在以“艺”为“医”的精神疗愈路径中达成心灵与世界的某种平衡。
In this exhibition, Zhang Yanzi directly depicts the Buddha's shadow on plasters, elevating medical metaphors to the level of religious salvation. Under the call of the oracle, by using "art" as "medicine", a balance between the mind and the world is achieved in a spiritual way.
王霄则通过构建模糊化时空、朦胧欲望生发的隐喻式场景，在错置的时空中强化新的视觉表现，以印痕引申出物性的思考，凸显个体在复杂关系中的彷徨与思辨。
Wang Xiao builds metaphorical scenes of blurred time and space and hazy desires, intensifying new visual representations in the misplaced time and space, extending the thinking of physical properties with imprints, and highlighting the hesitation and speculation of individuals in complex relationships.
于瑜则用绢布上抽下的丝线在绢上绣出了蚕蛾的形象，以此纪悼消逝于制丝工艺中的“蛾”。随即，又在绣好蛾子的绢布上绘制出各色的丝织品纹理，将显像的蛾子再次覆盖。颇具隐喻的创作行为为观者留下了无限的思考空间。
Yu Yu used the silk thread to embroider the image of a silkworm moth on the silk, in order to mourn the "moth" lost in the silk making process.Then, the moths were covered again with colorful silk textures painted on the silk cloth where they had been embroidered. The metaphorical creative act leaves infinite space for the viewer to think.
毋庸置疑，这三位优秀的艺术家正处在艺术能量的集中爆发期，作为重要的当代艺术个案，值得被持续记写、研究。
Undoubtedly, these three outstanding artists are in a period of a concentrated explosion of artistic energy. As important contemporary art cases, they deserve to be continuously recorded and studied.
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